Cannes: In his first feature film, Somali-Austrian filmmaker Mo Harawe explores the impact of war on life and death with depth and rawness.
The film challenges the stereotypical Western view of Africa, shedding light on the intimate lives of a makeshift family in Somalia. Even in the face of struggles, they treat each other with dignity.
Set in a remote village by the stunning Indian Ocean, the story follows the bond between a grave-digger, Mamargade, and his son, Cigaal. Their interactions with a young divorcee, Araweelo, add layers to the narrative.
As Mamargade contemplates the meaning of life while digging graves, the film balances despair with hope. The visual language is unique and captivating, especially in moments of cultural magic.
While the film’s conclusion may seem harsh, it never shies away from the harsh realities faced by its characters. The question of whether to have children and invest in the future resonates universally.
Despite the bleakness portrayed, Harawe’s debut film showcases the talent and potential within Somalia. The depth of the film’s storytelling and visual beauty hint at a promising future for the director and the region as a whole.
Overall, the film deserves a solid grade of B for its compelling storytelling and powerful imagery.
