Dugsi Delight: A Vibrant British-Somali Production Infused with The Breakfast Club Vibes Ready to Impress at the Royal Court

In Britain, kids from six to late teens go to classes in a mosque with peers from their community to learn about Islam, Arabic, and the Quran.
Ali, also a cast member, shares that everyone has a funny dugsi experience. Millennials and Gen Z Somalis all have stories to share about dugsi.
The play features four friends – Salma, Munira, Yasmin, and Hani, who bond during a dugsi detention. They chat, reveal secrets, and share cultural references.
Ali wanted to explore Somali archetypes by putting four girls from different backgrounds in detention, where they realize they have shared experiences.
Dugsi Dayz began at Rich Mix in east London, then toured nationally and won awards at the Edinburgh Fringe Festival before landing at the Royal Court Theatre.
Producer Hannah Abdul says the show’s title resonates with the community, making it a hit among Muslim audiences across the UK.
Dugsi Dayz incorporates Somali folklore and phrases, offering a specific cultural experience that doesn’t shy away from its roots.
Ali, raised in London by Somali parents, has always had a passion for acting, but struggled to find roles that represented her.
Her work, including Dugsi Dayz, was supported by Side eYe Productions and Kayd Somali Arts and Culture, creating platforms for marginalized voices.
The play focuses on authentic portrayals of Muslim girls, breaking stereotypes that often plague Muslim representation in media.
Ali emphasizes the importance of writing characters authentically, without falling into stereotypical traps imposed on Muslim characters.
Both Ali and Abdul stress the significance of showcasing hijabi characters in narratives that transcend stereotypes and normalize their presence.
Dugsi Dayz’s unexpected success highlights the commercial viability of diverse narratives and the importance of representation in storytelling.
Despite strides made in diversifying theater, decision-makers are still hesitant to take risks on stories that deviate from the norm.
Ali urges the industry to trust in the untapped potential of diverse narratives and the ability to tell unique stories authentically.
Although progress is slow, the success of productions like Dugsi Dayz signals a shift towards diverse and inclusive storytelling in theater.
Dugsi Dayz is currently showing at the Royal Court Theatre until May 18, showcasing the richness and diversity of contemporary black theater.