“100 years of photographic reminiscence” on the streets

From Could 12 to June 12, the Zola Cultural Middle in Brazzaville shows greater than 700 photos that mirror Congolese historical past, from colonial occasions to the current day. Collected from Congolese properties, the images shall be displayed in giant format on the capital’s streets. Opens on Friday 14 Could.

For a month, the folks of Brazzaville will have the option to (re) uncover their previous within the open and in giant format. Seven hundred pictures, collected from the inhabitants, had been digitized and enlarged on giant tarpaulins measuring 2.50 meters by 1.20 meters. The enormous panels are positioned in strategic locations within the capital: Place de la République, the roundabout La Poste, Place de la Gare, Place de la Liberté or Sq. de Gaulle.

An actual craze

Forty different photos are displayed in small format within the fresh “Zola Cultural Middle” (“zola” means “brotherhood” within the Congo language). Its director Hassim Tall Boukambou, additionally a documentary filmmaker, is the curator of the exhibition. “I even have labored for a very long time with photographic and audiovisual archives,” he explains. I had the thought to contain as many Congolese readers as doable, as a result of every time my movies had been obtained positively by the general public and I felt folks’s need to go additional and know their historical past ”.

For the Nationwide Archives of the Congo

With the assistance of his crew and his volunteers, he organizes the processing of household photographs collected from his countrymen. 1121 photographs, half in paper format, half in digital format, circulate from all around the Congo, but in addition from France and the US. “The images preserve coming,” Hassim Tall Boukambou is stunned, “it is an actual craze. We acquired about 30 footage from the Thirties right this moment! ”. Everybody will be part of the Nationwide Archives of Congo. An operation carried out in collaboration with the Congolese Ministry of Tradition and the Arts and the French Embassy.

Smiling or tragic snapshots

The 710 photographs chosen for the exhibition naturally embrace portraits of political or public figures, however above all photos of nameless Congolese readers. The bulk go from the Nineteen Fifties to the Nineteen Eighties, some from the Nineteen Forties, some others are a lot older. Photos that inspired change between generations, says Hassim Tall Boukambou, particularly in households. Every illustrates in its personal approach vital intervals in Congolese historical past. From essentially the most smiling to essentially the most tragic. Listed here are 5 illustrations.

Congolese retailers in Libreville: “sappers” earlier than their time

The picture was taken in 1896. At the moment, Gabon, Center Congo and Oubangui Chari (now the Central African Republic) had been the French Congo. The 2 characters are merchants from Luango’s coastal space and stretch throughout the present states of Gabon and Congo, which traveled between Luango, Pointe-Noire and Libreville, the final metropolis they helped discover. “What struck me most about these photographs,” emphasizes Hassim Tall Boukambou, are the clothes kinds. A rustic like Congo is understood for the well-known “SAPE”, “Society of Ambianceurs and Elegant Folks”. With all these photographs, we uncover sappers from all generations and all many years. The 2 Congolese retailers in Libreville, they’re sappers forward of their time! ”

The lethal railway firm Congo-Ocean

This picture was despatched to us by a senior to underscore the tragedy that Congo skilled with the building between 1921 and 1934 of the Congo-Ocean Railway (CFCO), which emptied a giant portion of the inhabitants. Of Congo. Households of all time fought. A bloodbath: 30 to 40,000 deaths in lower than ten years, from starvation, fatigue, exhaustion, dysentery. That’s the reason the folks of Chad and Indochina are getting used to finish the work. A station is called Sara, folks in southern Chad.

“Plateau des 15 ans”: borrowed villa within the elegant district

We see right here a girl in the home together with her servant in “one in all the brand new dwellings constructed for independence, on this new district of Brazzaville.” The brand new and rising center class adopted the European model in these villas with gardens, with all of the furnishings: radio, fridge, flowers … “” Plateau des 15 ans “was the elegant district of the” elite. It took fifteen years of credit score to amass this dwelling, therefore its identify. It continues to be the residential space of ​​Brazzaville, near the airport, and nonetheless the costliest. ”

Fulbert Youlou exchanges money for building

This picture is from 1960. Congo’s first president, Father Fulbert Youlou, who was identified for his baggage, has enjoyable Hassim Tall Boukambou, sporting a conventional Senegalese outfit beneath Tabaski (with print). Together with his minister Kikhounga-Ngot, he was welcomed by the Muslim neighborhood, one of the vital personalities on the time was the dealer Yero Thiam (with beard in the image), additionally the founding father of the biggest port in Brazzaville. “

Deserved college youngsters’s crimson scarf

“A woman despatched us her class picture in Makoua, within the north of the nation,” explains the exhibitor’s curator. It’s symbolic of the Nineteen Eighties. Congo had turn into a Marxist-Leninist nation and essentially the most deserving schoolchildren wore the crimson scarf. We advocated educational excellence. Many Congolese in my technology wore the crimson scarf … for these with the most effective grades! I am from the 1972 technology, I used to be not the most effective in the category, however I had it. We stopped sporting the crimson scarf in 1991 at the top of the nationwide conferences, at the top of the one get together. Congo wished to erase social variations. “What stays right this moment from that point is the college tools that continues to be worn by the scholars in the images from the 2010s … additionally to be found till June 12 in Brazzaville.

Concurrently this exhibition, the Zola Cultural Middle will preview the documentary by Hassim Tall Boukambou “Revolutionary (s), la genèse” on Friday 14 Could at 18.00 and co-arrange the web convention on Friday and Saturday “Defending the archives of the Congo Basin and shared reminiscence”.

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