Muna: A Journey Through Grief, Culture, and Self-Discovery

In the deeply evocative narrative of “Muna,” Kosar Ali, BAFTA-nominated for her role in “Rocks,” steps into the life of a British-Somali teenager navigating a tumultuous landscape marked by complex familial ties and the profound loss of a grandfather she never knew. Both on-screen and behind the scenes, the tale resonates with the echoes of its creator, Warda Mohamed. Reflecting on her own encounters with grief, Mohamed eloquently shares, “There isn’t an answer to [grief]. You have to feel it as you go along.” This film offers a mirror to those silent, unresolved sorrows we all carry in our hearts.

Ali approached the role with a natural affinity. “When I approach Somali stories, it’s always a yes before a no because there are so few,” she says. Her words echo a deeper sentiment shared by many in underrepresented communities: an urgency to tell stories that have long been stifled by silence and stereotype. Mohamed, who co-directed the acclaimed “Dugsi Dayz” in 2022, had a clear mission: to craft an authentic portrayal of British-Somali life. “For too long, Somali people have been portrayed through stereotypes in western cinema,” she asserts. “I want to show all of the beauty and richness of being British-Somali.”

The journey to authenticity was not without its challenges. “The casting process was really challenging because of a lack of Somali actors. In the end, we had to street cast [approach and ask the general public] and use our networks to make it work,” Ali explains. Yet, isn’t it those very challenges that often lead to the most rewarding breakthroughs? The authenticity extends beyond grief, delving into the intricate web of culture, family, and belonging. Achieving this meant connecting real stories to real people.

Ali enriches her repertoire with her first executive producer credit, all while leading the film with passion and precision. Her belief in authenticity shines particularly in the portrayal of the mother-daughter relationship. “It isn’t about clashes of culture or religion; it is about two people figuring things out. It is a universal experience that many can relate to,” she shares. One cannot help but reflect: Isn’t that the crux of our human experience—the constant dance of relationships?

The film’s soundtrack, a harmonious blend of contemporary UK and traditional Somali music, reflects the authenticity and vibrancy of the storyline. Ali herself took an active role in this. “I wanted to keep it fun and authentic to me. The music used and the dance scene was a true representation of me as a person, not just acting,” she explains. It’s in the notes of this music that Muna’s world truly sings.

Yet, “Muna” is more than its narrative. It’s a beacon of representation and faith. Mohamed, standing steadfast in her commitment to faith-based filmmaking, crafted a production environment echoing community values. “It was important for me that our set reflected the values of the community we were representing,” Mohamed emphasizes. In a poignant expression of authenticity, prayer scenes are not mere performances but reflections of true faith.

Of course, the path to bringing “Muna” to life wasn’t free from obstacles. “It took more than four years to get funding,” Mohamed notes, underscoring a significant challenge faced by many filmmakers from diverse backgrounds. “The people in positions of power don’t understand our stories,” she adds, highlighting the necessity for diverse voices at every level of decision-making. Isn’t opening up such critical dialogues the very essence of progress?

Since its debut, “Muna” has touched audiences worldwide, with many expressing a desire to experience its compelling narrative again. The film’s availability on the BBC iPlayer breathes new life into Muna’s journey. “The iPlayer release feels like Muna has been given new life,” Mohamed reflects, adding, “It’s been joyful to see different parts of the world respond and hear how people connect with Muna, her brother, or even the parents.” Isn’t it remarkable how stories have the power to bridge worlds?

Through “Muna,” Mohamed has set a precedent for Somali storytelling in British cinema, encouraging others to continue creating with courage and conviction. “We have to keep making things, keep writing, keep telling our stories,” she urges. “And hopefully, people will eventually see us the way we want to be seen.” In a world longing for diverse perspectives, such efforts resonate deeply, continually reminding us of the shared humanity at the heart of storytelling.

The captivating journey of “Muna” is now available on BBC iPlayer. Join the conversation and experience the journey through the eyes of Muna and those she shares her world with.

Edited By Ali Musa, Axadle Times International–Monitoring.